Vogue Knitting Live Debrief (2013 Edition)

I should've done this Monday, but I was too busy catching up on my sweater and having a battle of wills with a mouse that made its way into my apartment (which, unfortunately, is still going on.  Good news is that I didn't see any evidence from it this morning.  Bad news is that I still haven't caught it, and it escaped one trap and hasn't touched the others I set after that). 

Anyway....onto the Vogue Knitting Live debrief.

In General
I went in expecting more of last year.  It was not.  The whole...feel, I guess is a good word...was different than last year.  Last year was smaller, more fashion forward and had a summery feel to it.  This year was a lot more crowded (on Saturday at least), and the vendors and feel was way more diverse.  In some ways it was like a little Rhinebeck (with many of the same vendors), except with a slight more emphasis on fashion (instead of the more rustic feel of the NYS Sheep and Wool festival, which is to be expected).

I went both days, because like last time I signed up for a lecture on Saturday (and then met my knitting group to trawl around the marketplace), and then I went back to see the shows and the free panels on Sunday (and to trawl around the marketplace alone).  The one constant thing was that the lecture was fun, the panels were interesting (and I got a lot of knitting done), and the fashion shows were mostly horrifying.

The Lecture
I ended up signing up for Manipulating Stitch Patterns conducted by Ysolda Teague.  Unlike the last two times, I've heard of her before (actually, it was her page I found instructions to do those looped button holes for one of my last patterns, which saved my can't-be-bothered-to-plan-for-a-buttonband ass), but that's not why I picked this lecture.  I picked it because for the past four months or so I've been wondering if I shouldn't invest in a stitch dictionary, and if I do, what I will use it for.  You see, I'm pretty picky about my knitting.  There are few patterns I've seen that aren't cables or stockinette that I've liked.  But I keep telling myself I won't do cables in my next project (ha) and I should branch out a little more...or, if I don't find what I like, create it.  It's all easier said than done of course.  So I figured that this lecture should be interesting and help a bit.

While it started late (but it ended on time and provided some laughs, so I don't care), I was happy with it.  While a lot of the tips given seemed somewhat common sense (like calculating a new stitch count when adding or subtracting an element), there were still good tips for me to hear.  One of my major takeaways was an throwaway point, which is that the chart should represent what the pattern will look like.  Her example was a cable chart in that style I'm not too fond of, the one where the cross is a bunch of diagonal lines visually 'representing' the cable.

Now,  I don't like this style because it gets messy with more complicated cables.  I had to read one that had traveling cables, and I found it hard to differentiate between the K2, K2 cables and the K2, P1 cables (putting a tiny dot near the bottom left does not make a clear symbol).  Also, as many of them aren't standardized (despite what the link above tries; you'll notice that they have no traveling cables in there), they vary by just enough that it's confusing.  I can't imagine what a K4 with a P stitch in the middle cable would look like in that notation.  But Ysolda's comment of 'the chart should look like the pattern' made me realize why people like that style: taken together, the chart really does show the cable flow.  It looks like the cable, because many of the symbols look like the shape the knitting makes (of course, there are other similar styles.  Standardization doesn't exist here).

She also mentioned, in relation to that point, that the chart shouldn't be a code.  I think that's my biggest pitfall here.  I'm a programmer.  I see charts as codes, I'm conformable with charts as codes, and judge their merits as such.  I like clear, flexible codes over pictorial representation that just complicates matters.  This is why my currently preferred notation is one I learned in Aran Knitting, which looks similar to the chart in this link.

It doesn't really show the pattern when you see it as one object.  But it does give flexibility to represent all types of cables (as any cable uses a variation of the same symbols), and is much easier to write out when I'm pattern drafting (and on the computer without buying special software like she was using in the lecture).  But you do have to learn it and understand it to see the brilliance of it, which doesn't come easy to many knitters.

I also find it funny that crochet is more standerized than knitting in this respect.  But that's another topic for another day.

The other major takeaway I got was that you can fake cables with increases and decreases, and you can use ribbing to do reversible cables.  I had no clue.  That's great to know.

Fashion Shows and the Panels
I only ended up catching two full fashion shows (and bits and pieces of others), but what I saw was pretty much similar to last year.  Weird outfits, modular knitting, garments that don't flatter anything but the coat-hanger models walking down the runway (and then there was this thing.  No excuse for that monstrosity of a cardigan).  Oye.  No novelty yarns this year, though.  And there were a couple more outfits I wasn't revolted by.  Improvement, improvement.

There was two free panels, and I went to both.  One was on being a designer, which while being funny, made me really want to stay an amateur designer.  The other was on the change in knitting culture and where it was going, which was pretty predictable, but wasn't too boring.  Though one panelist had to repeat the whole 'crochet uses more yarn' myth. Ug.

Purchases
I was good, and only got one skein of yarn:

I bought it because not only was a  'oo, pretty blue!' one of a kind Madelintosh skein, it's from my old LYS (who were there, much to my surprise.  The other surprise was that they remembered me after a year of not going (while I had only been their customer for a little over a year)).

I also got another bottle of Soak to replace the one I left in my old apartment (that I bought last VKLive).  While Woolite might be cheaper, you don't have to rinse with Soak.  And it smells a lot better.

Also, the second day I texted my mom this picture:

It was a joke about big crochet hooks.  The next text I get, however, was 'do they have x size?  I'll pay for it.'  Cue back and forth texts where I realized they were Tunisian crochet hooks and attracted the attention of one of the shop people, who taught me to Tunisian crochet (which isn't that hard, but I also knit and crochet, and it's obviously a weird blend of those things).  I then, while waiting for my mother's answer as to if she really wanted the Tunisian version, got hustled into buying the crochet hook. For $40.

I later found a vendor selling normal crochet hooks in the size my mother wanted for normal prices.  I ended up buying those as well.  We'll see if my mom buys the Tunisian thing off of me.  I may get stuck with it.

Conclusion
Overall, I had a good time.  It was different than I was expecting, both good and bad, but I enjoyed it.  Hopefully they'll have better trends next year (ha ha ha).

Stupid Human Brain

Pictured below is a perfectly cromulent hat, right?  It looks fine (other than that the needle was taken out already).  It's nine cables, and now has the right number of stitches picked up:

Well, it's not.  I miss-crossed every single cable, and didn't realize it until I started reading the directions for the decreases.  I was too busy trying to knit it on the subway and at lunch to bother really reading the chart.  Oh, don't get me wrong, I looked at it.  I looked at it long enough to memorize what rows to cross on and to see that it was a 5 x 5 braided cable.  But for some reason, I completely mis-read the cable symbols.  For this I have no excuse, as they're not unclear (and there's a symbol key right next to the chart in case they are).  I remember looking at it and thinking I comprehended it, though, so I never took a second good look.

'What else is new?', is all I can say now.  I make this error more times than I care to admit.  I do my quick-read and think I got it, it's easy, I can't possible screw it up...just to see later that I was wrong, and it was in front of me all along.  It's not always that I don't bother reading ahead and assume (which I sometimes do too, but that's another issue), it's more like my brain's putting what I was seeing together differently than what was actually there.  Or maybe I'm not looking with enough attention, and my brain is filling in the gaps so I think I read it. 

It's a funny thing, actually, the way the brain does this.   Most people don't notice, especially when, you know,  it works as intended (that is, we fill in the gaps from what we see and are right).  Humans are really good at seeing patterns and connecting the dots, so good, we'll see them when they aren't there. And this is only one way we can be tricked by our brain (if you're interested about this topic, a good book is Don't Believe Everything You Think by Thomas E. Kida). 

However, knowing about it doesn't mean one stops doing it, especially when one is being sloppy and self-confident.  I'm not self-confident about many things, but at this point, I consider myself a decent knitter.  I don't know everything by far, but the things I know I can do pretty well.  But this sometime leads me to skimming patterns in the interest of time or laziness, and thinking I know what's going on. Or thinking I know something and I really only have a hazy idea (or remembered wrong).  Being a fast sight-reader doesn't help this matter; I can read fast, but if I'm being less than attentive I will think I just read it fast when I didn't really capture everything on the page (and again, the brain connects the dots).  Which is how I get the wrong instructions stuck in my head, follow them, only to find out later that if I had just looked more carefully at the paper, I wouldn't be wasting the time in which I could be knitting my main project ripping out and restarting my travel one.

Circles and Windows Wrap

A quick but interesting couch shawl or blanket to keep you warm. Two sizes are given so you can choose how much wrap you want.

The highlights of this pattern are listed below. To get the actual pattern (pdf), please click here to download it (the pattern's free, don't worry).

Circles and Windows

Craft Type Crochet Skill Level Easy+ (need to be able to double crochet and do or learn shells and clusters) Finished Size Shawl size is 24" W x 73" L Large shawl/small blanket size is 36" W x 73" L Gauge One pattern repeat (7 st and 3 rows) = 3" Yarn and Yardage Shawl: 6 skeins Loops and Threads Charisma (Bulky, 109 yards) or 590 yards of a compatible bulky yarn Large Shawl/Small blanket: 10 skeins of Loops and Threads Charisma or 1090 yards of a compatible bulky yarn. Hooks US N/P (10mm)

Happy crocheting!

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If you find any errors in this project, please e-mail CompileYarn[at]gmail[dot]com, or leave a comment  here or on Ravelry.  Copyright (c) CompileYarn(), 2013.

Such a Good Start

So, we're half a month into the new year and I haven't written a post yet.  Good job, me.

To be fair, I've been rather busy.  Not with projects, unfortunately.  Not with pattern writing, though I should have that done by this weekend (something something too lazy to do math something).  No, just life.  Holidays and the traveling that entails, work, family hanging around, that kind of stuff.

I guess what I'm saying is I got nothing. 

Well, ok, I got something.  I got a three-year-old store bought work sweater that needs to be replaced, because this lovely thing popped up a month ago, and it's gotten bigger:

And, no, I'm not just wearing it for the picture.  I've been wearing it to work too (though, to be fair, I didn't notice the hole wasn't dime-sized anymore until this week.  Then I folded up the sleeves until said hole was covered).  That's because its replacement, which I've planned for...I don't know, almost a year now...looks like this:

I would blame the holidays and being busy, but its not just that (though that delayed my start.  Then again, I wasn't planning for my other one to get a hole).  I like this pattern and I love this yarn, don't get me wrong, but it is a sport-weight full cardigan, worked back and forth of course.  Purling every other row slows me down; I just don't purl as fast as I knit.  With that, on top of having a charted cable and US5 needles, means I'm not going as fast as I could.  But I guess that's every project I do.  I think I'll get it done in a couple of weeks, but in reality it takes me a month or two (or five, or a year...).

Oh, and working on this thing doesn't help either:

I'm justifying it as my travel project.

In other news, I was reminded recently that VogueKnitting Live is next weekend.  I had forgotten about it in the rush of other things.  Of course, I would have remembered when my name card came in the mail this week:

I can't wait to see what horrifying fashions are being show this year, which is what this event is good for. I mean, it's not like I need any yarn and if it's like last year, I'm not going to find much in the way of yarn anyway as bright, summery colors are not in my color palate.  Which is a good thing; I currently have too much yarn acquired from Rhinebeck and the Manhattan Smiley's sale.  Well, I guess it's also good for the lecture I signed up for.  We'll see.

At least I used and am using what I bought there last year, of which one thing was the book the replacement work cardigan is in.  The yarn I'm using I bought at Rhinebeck this year.  Woot, knitting events.

The Importance of Dye Lots

This is why you buy enough yarn of the same dye lot (or at least visibly match it when you buy more than one dye lot):

Now, for this project I both knew this was going to happen (you don't buy yarn two years later expecting to match dye lots) and don't really care that it did (it's a couch wrap small blanket that will live in my apartment).  However, I still wasn't expecting the color to be that off.  This isn't just slightly different, this is whole 'nother color of blue different.

In other news, I finished the couch wrap I was making up the pattern for.  Which isn't a wrap.  It's not even a big shawl.  It's as big as the fleece blanket I was trying to replace.  Somewhere, I had a math fail when I calculated how many chains to do.  So when I get around to writing up this pattern, I have to re-do all my calculations so it is a couch wrap.  Since you got two patterns last week, I'm not in a rush now.  Especially since I now get to work on a sweater for myself:

The pattern is the Professoressa Cardigan by Connie Chang Chinchino.  This will replace a store bought work cardigan I always wear (the temperature in my office is not consistent no matter what time of year it is).  It's been my plan to replace it for awhile, or just add some variety, but now it has to be done since the current one has a small hole in the sleeve.  Oye.

I'm using Blue Moon Fiber Arts' Woobu in, believe it or not, the Smoke on the Water colorway (look it up on their site.  It shows a dark purple color.  Mine is gray).  I just started this last week and I'm in love with this yarn already.  By far one of the best yarns I've work with, and hopefully it wears the same way.  Being that I found this yarn randomly at Rhinebeck, it was a good pick.

One point about the yarn though: I'm lucky I read up on it on Ravelry before starting this project.  All the comments were along the lines of 'this yarn rocks but my sweater grew'.  So I did a proper swatch and, yes, it grows and your gauge will change.  I'm using that to my advantage, actually.  Plan for it and you'll be fine.

I know it's pretty late for half the holidays now, but happy holidays everyone! 

Reject the X Cowl

The odder cousin to the Twisted X Neck Warmer, this cowl is first worked in the round, and then back and forth to provide a tighter fit around the neck.

It's called Reject the X because when I first blocked it, I though I had ruined it and came up with Twisted X instead.  Obviously, it ended up fine once it dried.

The highlights of this pattern are listed below. To get the actual pattern (pdf), please click here to download it (the pattern's free, don't worry).

Reject the X Cowl

Craft Type Knitting Skill Level Easy+ Finished Size 15” circumference at cowl top when snapped closed, 3.5” tall Gauge 3.5 stitches and 5 rows = 1” in stockinette stitch with larger needle Yarn and Yardage 1 skein Cascade Yarns 128 Superwash (Bulky, 128 yards), or ~70 yards of any compatible bulky yarn. Needles US 11 (8mm) 16” circular needle US 10 (6mm), any type Other Notions 3 snaps sized 1/0 (or around there) Thread to sew on snaps

Happy knitting!

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If you find any errors in this project, please e-mail CompileYarn[at]gmail[dot]com, or leave a comment  here or on Ravelry.  Copyright (c) CompileYarn(), 2012.

Twisted X Neck Warmer

Need a quick gift?  Cold and need something to warm your neck right now?  This cowl can be made in a day and is sure to delight.

The highlights of this pattern are listed below. To get the actual pattern (pdf), please click here to download it (the pattern's free, don't worry).

Twisted X Neck Warmer

Craft Type Knitting Skill Level Easy+ (only trick here is cabling. Everything else is straightforward) Finished Size About 14.5" x 3.5" after steam blocking Gauge 4.5 stitches and 7 rows = 1" in stockinette stitch Yarn and Yardage 1 skein Cascade Yarns 128 Superwash (Bulky, 128 yards), or ~70 yards of any compatible bulky yarn. Needles US 9 (5.5mm), any type as this is worked flat. Other Notions 2 buttons sized 7/8" (or somewhere around that) Button or embroidery thread in a coordinating color to both sew in the buttons and make the buttonhole loops (you'll need the instructions found here to make the buttonhole loops) (note: link fixed if you found it broken before)

Happy knitting!

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If you find any errors in this project, please e-mail CompileYarn[at]gmail[dot]com, or leave a comment  here or on Ravelry.  Copyright (c) CompileYarn(), 2012.

Rush Jobs

I hate rushing through projects.

Unfortunately, when one starts socks for Hanukkah less than a month before the holiday starts, it will end up being a rush job.  Well, at least for me.  I'm not the fastest knitter out there, so it takes me about a month to complete a pair of socks.  Especially ribbed socks with cables.

The good news is they did get done, even if it was at 2am last Sunday when I cast off the last toe, and I did have to cut out certain things I was planning to do.  Mainly, I'm very lucky the sock top was stretchy enough even with the provisional long-tail cast.  And that the yarn I used for the cast-on matched the sock.  It let me just weave in the ends and call it a day without having to go back and pick up at the top.

It did leave me with left over yarn, though.  Boo.

Since it was a rush job, I didn't get any pictures of the finished socks before I gave them to my mom.  Hell, hey were still damp from the steam blocking job I did when I handed them over.  I just didn't have any more time before I left the house.

(Speaking of blocking, I did re-block Crazy Cable Blanket.  Though it turns out that my iron at my parents' house also had hard water dust in it...however, it wasn't as bad as mine.  Oh well.  Hopefully it stays blocked this time, but most likely I'll never know.) 

Anyway, you would think I'd be smart and let that be the end of it, but no.  I had to decide to knit something for a gift swap. And not only that, I was designing it as well.

Let me go back to the beginning here.  I suck at buying presents, unless it's certain people in my family who I just get what they like. Despite this, I signed up for a gift swap where the recipient of said gifts didn't know who was giving it to them, I had a price limit, and all I had to go by was a set of answers to four questions. Hoo boy.

When thinking about what to get, I started settling on the idea of knitting something cheap and quick.  I had the favorite color of the recipient, and I had other ways of feeling out what they liked, knitting-wise.  What else was I going to do?  So I did a half-prototype where I took yarn out of my stash, found a pattern (which I had no intention using to make as the gift.  I don't know what I was thinking)...and ended up a day later with something else.  I basically went from this to this:

Yeah...my creative side took over there big time.  I was pretty much going on the fly; deciding what to do by row.  Oye.  The only thing that little exercise that took over when I was supposed to be knitting a pair of socks did was prove that I could knit a bulky yarn, small-sized cowl in a day.  Well, that and it gave me something to hand to my mom the first night of Hanukkah. 

After that, I decided that I was going to take a trip to Purl Soho (which I'd never been to) on a day I took off for unrelated reasons and see if I could find a skein of yarn that worked.  I was then going to find a store in the Fashion District and get buttons (which...holy shit why didn't I figure this out earlier?  The first store I walked into had tons and tons of buttons!  They had the perfect buttons for both cowls!  I need to go to the Fashion District more often).  After I got materials, I was going to sit down, change the pattern a bit on the cowl I did on the fly, and have four days to get it done.  Except that I was still working on the socks 'til Sunday, which left me with two days instead.

Not deterred and with a cable pattern I came up with Friday night,  I calculated how many stitches I needed to cast on and started in the car on the way to a relative's house.  I promptly screwed up on said math and had to re-start during the same ride.  No matter; at said relative's house, I was able to get half-way through the cowl while watching the Jets game (yeah, yeah, I know, 'Jets suck' and all of that.  Still a fan, though).  Got close to done on the way back to my apartment, and finished the knitting Sunday night (and managed to write the pattern down, even though I wasn't 100% happy with the design.  Not bad, but not amazing). 

'Yes!' I thought, 'I'll just block it, sew on the buttons Monday night, and it'll be done by Tuesday!'

Except one little thing I didn't do. I never saved and blocked the swatches I had done Friday night...no time and needed the yarn, you see.  So when I wet the yarn, I wasn't expecting it to go all limp and crappy-looking like it did.  It looked horrible.  You could see through the thing, that's how loose the stitches were.  Where I had joined in the initial round looked like it was going to come apart any second.  It had no structure at all.  There was no way I could give that away.

Now, I'm thinking: 'Crap, I screwed.  I have to knit another one!'  So I did.  Except I changed several things, including the cable (which I again designed partly on the fly).  I knit on the subway, on my lunch break, at home Monday night.  At 10pm, I was done (and had documented it as well).  I steamed blocked it this time, created the buttonhole loops and sewed on the buttons , and got this:

Its a small cowl.  A neck warmer, if you will.  But I like it,  and I had my gift and enough notes to write up a new pattern (though said pattern isn't done yet because I managed to get a cold yesterday and didn't feel like it.  I'll do it this weekend).

Oh, and the recipient?  Loved it.  I guess I can get it right sometimes.

As for the crappy cowl...well, that has a happy ending as well.  See, Tuesday night I looked at it again after it had dried a bit and it was now just fine.  It was a tad looser than I planned, but it was not too floppy or crappy looking anymore. So I sewed some snaps in it to shut it (as I didn't have buttons anymore) and here it is:

Another usable cowl.  Which I'll never use, so I have to figure out who to pawn it off on.  This pattern will also be written up and posted this weekend.  I figured that maybe someone else would like it more than I do.

Not bad for series of rush jobs.  I still don't like to do things this way, though.

I Spoke Too Soon

I hate when the stupidly unexpected happens, especially when you think you're done with something and...nope!  You screwed up and now have to fix it!

You see, while I was up at my parent's house for Thanksgiving, I decided to test wash Crazy Cable Blanket.  You know, to make sure it wasn't going to fall apart or anything.  That, and it needed to be washed.

Well, the good news is that it came out of the washer and drier intact.  The bad thing is doing so unblocked the damn thing.  This is acrylic/nylon yarn.  The blocking job I did should have been permanent (and, yes, you CAN block acrylic yarn, you just have to steam block instead of wet block the item.  Oh, and unlike wool, once you block acrylic, it's always blocked.  Which, given that I tend to use acrylic when I need something that can be washed and dried, is nice).

So, this means two things: either the nylon is keeping me from doing the acrylic perma-block, or the whole pillowcase trick I used became my iron has hard water dust all in it (which I rather not get all over my knitting) didn't really block it.  Having done a bit of research after the fact, it seems that it's the latter.  I'm guessing that I was supposed to use the steam setting of the iron with the wet pillowcase  because the pillowcase isn't supposed to generate the steam.  Or I didn't iron it until the pillowcase was dry enough.  Or both.  Probably both.

Of course, I left Crazy Cable Blanket up at my parent's house as planned, which means I have to wait until I go up there again to use their non-hard-water-damaged iron to steam block it again.  This also means it will be done right before I give it to my brother....so if it doesn't stick this time, I failed.

At least the other Hanukkah present I'm making is moving:

...for now, that is.

Happy Thanksgiving

Happy Thanksgiving to all the Americans out there!  Since I'll be busy for the holiday, I won't be keeping up my current posting rate (ha, my best yet, though there's no way I'm doing this long term).

To everyone else, have a good rest of the week. 

Crazy Cable Blanket Debrief (With a Bonus Border Pattern)

So, I finished Crazy Cable Blanket:

Yet I cannot make my bed well, or pick up the shoes I haven't worn in months.

It's all done.  Border, blocked, everything.  I can't believe I managed to finish it.  The label I sewed on it says it all:

I ordered them from KnitPicks, but other retailers may have these labels in stock as well

Anyway, since this took about a year and a month of my life (though if I had worked on it consistently, it would have been more around eight months), I figured I go into detailed 'debrief' of the pattern for anyone who's crazy enough to make one.

The Pattern
The pattern I used for the blanket itself was Alice Starmore's St. Ciaran (missing accents; sorry) from the reprinted version of the book Aran Knitting (it may be in the original as well.  I don't know and I can't vouch for that version).  Like all of Alice Starmore's cable work, it is interesting, creative, intricate, and absolutely crazy.  What made this more fascinating is the idea of having cables form Celtic patterns, which involves learning how to make the cable appear like it's making a bend when in fact that's where you started or ended the cable.  As I love cables, and I like Celtic designs, I loved this.  Hell, I bought Aran Knitting because I saw this pattern knitted up in a KnitPicks catalog.

However, the Celtic cabling is also what made the pattern challenging.  Now, honestly, the pattern and the charts that go with it are flawless.  I had no problem learning how to read the chart, setting it up, and following it.  I did have some issues the whole 'start and finish the cable in the middle of it' step in the beginning, though.  The first couple of times I screwed up and had to re-start the blanket.  But after that, all my mistakes were more due to my momentary lapses in paying attention more than anything (can you blame me? Knitting solid cables 200+ stitches across gets a bit tedious, no matter how much you like the pattern).

The other interesting thing about this pattern is that it's actually supposed to be a shawl.  However, it's a really big shawl...what most of us would call a small blanket.

For anyone who wants to attempt the pattern, the advice I'd give to you is:

1. Use a 60" circular needle.  Use a good quality one as well; you will put stress on the joins between the cord and needle with this pattern and you don't want them popping mid blanket.  However, you will not get far with straight needles unless you are so against circulars you insist on using them.  Your sanity and wrists will thank me later.
2.  I know it's a blanket, but for the love of the knitting goddess, SWATCH FIRST.  If you're too lazy to swatch one of the charts (which is recommended to learn how to do the cable from nothing trick before you start the blanket and then have to re-start it), at least swatch in stockinette.  Alice Starmore's patterns are notorious for tight gauge (I think I saw someone call it 'bullet-proof'; it's not too much of an exaggeration).  You may have an issue with it and have to go up a needle size or two, depending on the yarn used.
3. While I used an acrylic/nylon blend successfully, I would still recommend going will some sort of wool, wool blend, or some other flexible, springy yarn for this blanket.  You will enjoy knitting it more with a yarn that doesn't mind going through some gymnastics, because that's all this pattern is.  You may find a different fiber that will work, but tread carefully.  If you need machine washable like I did, you may have to compromise on ease-of-knitting a bit, however you must triple-check that your chosen yarn won't send you to the wrist doctor for pain either (Ravelry reviews of other knitters having done cables with said yarn are a godsend for this).  This is also why you need to swatch, hopefully before you commit yourself to buying all the skeins.
4. On the other hand, the yardage you will get by calculating it out of the pattern is a bit more than you need, unless you're knitting more loosely or putting the fringe on.  I used a little under 2100 yards on the blanket itself as written (minus the fringe), but bought 2730 yards based on the pattern.  With my border, I used about 2520 yards.
5. Put stitch markers where each chart ends/begins.  They don't really get in the way and they help you see where all the charts are.
6. Have separate row counters for each chart, along with one representing the whole blanket. You can use an app for this if you don't want five string-on counters on your needle cord.  The benefit of the app is that most of them will switch all the counters with one button push.  The downside is that you need your phone/tablet around and not dead whenever you knit.
7. It may be easier if you photocopy the charts so you're not flipping back and forth in the book. I insist on it if you're using a library copy or someone else's copy of Aran Knitting. I didn't do this, and  I broke the spine of my book and the pattern pages de-attached. I had to duct tape them back in. Twice.
8. Don't try to memorize the charts.  You may get the A chart down pat all right, as it's just a six-stitch braid (and it's the most common chart in the blanket), but you will make more mistakes than anything if you try to memorize the other three charts.  They are too long and complicated.  Save yourself some hair-ripping and just stick with reading the charts.

The Border
The border isn't part of the pattern.  I made it up on the fly.  The blanket just looked unfinished to me without one, and I had extra yarn anyway.  However, the thought of picking up stitches along it and knitting a border...no.  Just no.  So I crocheted it instead.  I love being bi-craftal.

For anyone who wants to go the extra mile of crazy, the border pattern is below:

Start in a stitch or two in front of a corner of the blanket.  It doesn't really matter which corner, but I started on the end of the blanket.

Use a US G/6 (4.25mm) or whatever is slightly smaller than the knitting needle size you're using (Go with the G if you're knitting with an US 7 (4.5mm)). Always end the round by slip stitching (sl st) into the top chain to end the round.  sc = single crochet, dc = double crochet, FPdc = front post double crochet, i = # of side you're on, loc = stitch you're at (the location).  This is a quick and dirty pattern, be warned.  The chart will be added later, as it will take more time to make (though it will be much clearer than my written instructions for many people, I think.  I said it was a bonus).

Round 1:  for(i=0; i < 4; i++){sl st to loc == corner st.  3 sl st.} sl st to loc = 0

Round 2:  Ch 3. for(i=0; i < 4; i++){dc to loc == corner st. 3 dc.} dc to loc = 0

Round 3: Ch 2.  for(i=0; i < 4; i++){sc to loc == corner st. 3 sc } sc to loc = 0

Round 4: Ch 2. for(i=0; i < 4; i++){while(loc != corner st ){sc. FPdc into below dc.} if(loc == corner st){sc, FPdc into corner dc stitch, sc.}}. do{sc. FPdc into below dc.}while(loc != 0)

Round 5-8:  Round 3

Round 9: Round 2

Round 10:  Round 4

Round11: Round 3

I can't tell you how many stitches I did on each side, because I was lazy and didn't count (and therefore had too many stitches and had to decrease. Then I had to learn how to property decrease in crochet, because I realized I've never had to decrease in a way that didn't involve just skipping the stitch.  The result was that I learned that decreasing in crochet is just a two stitch cluster, but I still had a few too many stitches on the ends).  I will tell you that you need to slip stitch into every knit stitch on the sides of the blanket, but you'll need to only do a percentage of them on the ends.

The Yarn
The yarn...what can I say? I used Berroco Comfort in color 9763 (it's a navy blue color, despite some of the photos I took). I knew everything about it from the reviews I read, and I pretty much had the same experience, minus one.  The good is that it's cushy and provides enough stitch definition for cables.  It's also machine washable and dryable, which is good for a blanket for a 13-year-old.  I haven't run it in the washer machine yet, but it's been in the dryer and it came out fine.  The steam blocking job I did created a bit of fuzzy, but that's because I wasn't being careful (it does say not to iron the yarn and while I was using a pillowcase between the iron and the blanket (wet pillowcase = steam without the steam setting), I was pressing too hard and had the iron up too hot).

The bad is that it does have a tendency to split into tiny threads, especially on the sharp tips of the metal needles I prefer.  I'm pretty used to this by now, as I can split yarns that almost never split when using said needles, but it's a bit of an issue with this yarn in particular. Also, you don't have the desired flexibility with the yarn that you may want with such a cabling job.  Sliding the stitches and twisting them are a bit tougher than one may like or expect with a good flexible yarn like wool.

The one thing I do disagree with from a review I read was that I found it easier to crochet with than to knit with.  Since the crochet hook was blunt, and my knitting needles were sharp, I had less of an issue with splitting when crocheting with it. It still split, don't get me wrong, but not as badly.  But maybe my experience is tainted with the fact that I was crocheting simpler stitches than I was knitting, so it just tolerated the less demanding stitchery better.

Conclusion
This was one of the most trying projects I've worked on, and there were many times I dropped it like a hot potato and let it cool for a couple of months. It got tedious some days, and I can't believe I spent so much time on it.

The next one I do is for me. In a nice wool.  I keep staring at it; I love the cables and I want one now.  Or maybe I'll adopt the cables in St. Brigid into a shawl like I wanted to do before I do another Crazy Cable Blanket.  Or actually get around to making Eala Bhan, which is the other pattern I bought this book for.

Don't worry, it won't happen any time soon.  I have enough yarn for other projects already that it'll be awhile before I get around to buying yarn for another one of these....

Guides for Self-Taught Knitters: All the Different Ways to Knit and Where to Learn Them

There are many books and webpages out there that let one teach themselves to knit.  If your book or website sucked, it would have just showed you how to knit.  That is, the author showed you one way to knit because that's how you do it, right?

Wrong.  There are multiple styles of knitting, and all are valid ways of producing knit and purl stitches.  A good self-teaching book will cover this, as all that matters is using the style that's most comfortable to you, and it's better to learn that style up front.  However, every self-taught knitter...hell, every knitter...should at least be familiar with the different styles of knitting.

Why, you may ask? Because knowing the different styles lets you:

• Find the best method for you.  This may be the one you learned from the book you bought or your grandmother.  But you may find that you're more conformable or faster with a style you had no clue about before.
• Use the best method for the situation.  For example, stranded color knitting is easier if you can knit using both of the most popular styles.
• Understand some pattern assumptions that arise based on the knitter's own way of knitting.
• Help or, ever better, demonstrate any method to a newbie (because your preferred way may not be someone else's).
• Impress your knitting friends with your knowledge.  They may even think you're a better knitter than you are! (this is a double edged sword, so tread lightly).

So, lets get down to it.  One disclaimer, there may be other ways that I don't know about, so don't be offended if I don't mention some of the more obscure styles.  However, do let me know about them!

Oh, and this is an overview, not a teaching guide.  Use the links located in the 'So You Want to Learn It?' sub-section of each style to find good written and video instructions.


English Style
Also known as American style, this is the style you most likely learned from your crappy book you bought or that random website you found.  Very common in the Western world and in learn-to-knit guides for some reason.

What It Is
Either letting the yarn hang down or holding it in the right hand, the knitter produces stitches by using the right hand to wrap the yarn around the right needle.

The Positives

• It's one of the styles you need to know for easy stranded knitting.
• If you're a righty non-yarn-crafter, you may find this style easier to learn (as most of the action is done by your right hand).
• It's pretty straightforward, and there's lots of instructions on it if it isn't.

The Negatives

• It's easy to twist your stitches.  Just forget which way the yarn wraps around the needle.
• It takes more movement to produce your stitches, so not the fastest method out there.

So You Want to Learn It?

KnittingHelp.com has series of videos on their site (second listed, page is for knit stitch but purl is in the menu).  They also have the purl video on YouTube. And now they even have the styles named right (when I first found the site, they had English and Continental swapped).

I like TECHKnitter for not only good instructions, but also explanations on why it works.  Link goes to knit stitch, see top for purl.

For Dummies isn't a bad series, and they have their knitting guides online (link also to knit stitch).

Searching YouTube always helps (so you can figure out how exactly you like to hold the yarn and so forth).


Continental Style
Also known as German style or Left Handed Knitting (not to be confused with backwards knitting), this is the other common method in the Western world.

What It Is
Holding the yarn in your left hand, you use your right needle to 'pick', or grab the working yarn through the stitch on the left hand needle.

The Positives

• It's the other style you need for stranded knitting.
• It's also straightforward and common enough to find good instructions.
• Once you get use to it, it's fast.  There's less movement involved in this style.
• If you're a right-handed crocheter, this style will most likely be the easiest to learn (as you hold the yarn in the same hand, keep tension in a similar manner, and move the right needle similar to a crochet hook). 
• May be easier for left-handed people, as you control tension using the left hand.

The Negatives

• If you've already been taught English style, it may be hard to learn.
• There's a bigger difference between the knit and purl stitch, and purling is trickier in this method.
• If you're an extreme righty, holding tension in your left hand may be tricky. 

So You Want to Learn it?

The For Dummies guide, TECHKnitter, and KnittingHelp.com's YouTube video series also have guides for this style.  KnittingHelp also has all their videos on their site (first listed). All links go to the knit stitch like before.

Personally, I purl using my thumb to pull down the yarn, though I can't find where I learned to do that (and I don't think it's the best way, just the way that I fell into).  I find that the continental style of purling has the most variation, so you may need to do some hunting to find the best way for you.

Another awesome way to purl when you use this style is called Norwegian Purling.  Very helpful for ribbing, as you don't need to switch your yarn from the back to the front.

Also, most these guides will tell you to wrap the yarn around your pinky for tension. This video shows an alternate way of holding the yarn (start at time stamp 0:50). While I also don't have the link from where I learned this, this is how I hold the yarn:

I find that searching for 'speed knitting continental' on YouTube may net you some good videos if you're learning this way to knit faster.


Combination Style
Eastern styles meets western styles to produce a more uncommon but interesting way to knit.

What It Is
The knitter deliberately twists their stitches so that the live loops face the opposite way, allowing the knitter to insert the needle in the front for both the knit and purl stitches (Doing this un-twists the stitch, therefore still ending up with the correct knit and purl stitch in the fabric).

The Positives

• Knit and purl stitches can come out more even.
• Style can be merged with either English or Continental (that is, you can hold the yarn in either hand).  This is because both of those styles are Western styles, and this is a merger between western and eastern.

The Negatives

• Some pattern re-interpretation is needed, as decreases slant the opposite way when done in this style.
• Nowhere near as common as English and Continental style, so getting help may be a challenge.

So You Want to Learn it?

A slightly better description can be found on this style's Wikipedia page. 

One of the best known people who use this technique is Annie Modesitt.  That link goes to her comprehensive online guides on this style.

I first found out about this style when reading Grumperina's blog.  That link goes to her set of how-to videos on this style.

KnittingHelp also has a video on YouTube for the knit stitch in this method and its also on their site (third listed).


Backwards (Mirror) Knitting
This isn't really a style, but instead a method of knitting by swapping the actions for each hand in one of the above styles.  To really confuse you, this is also sometimes called Left-Handed Knitting.

What It Is
Backwards knitting is where you use your preferred style to work left to right instead of right to left. In all the styles above, no matter what hand you hold the yarn in, you use your right needle to pull the yarn through a loop on your left needle, which produces the new live stitch on the right needle.  When you mirror knit, you instead use the left needle to pull the yarn through a stitch on the right needle, producing the new stitch on the left needle.

The Positives

• May be the easiest way to knit for someone who's left-handed (hence why it's sometimes called left-handed knitting).
• You can avoid purling when flat knitting by knitting the purl rows this way. Also helpful when knitting a pattern that involves constantly going back and forth for short distances (for example, entrelac).

The Negatives

• If you mirror knit exclusively, you will have to re-interpret any pattern you use, as almost all patterns assume right to left knitting. This can be very confusing and a source of errors.  This is also why it's recommended that those who are left-handed try to learn one of the styles above first (that, and knitting  really does utilize both hands in manipulating the stitches, so non-mirrored knitting isn't strongly 'right-handed' in the first place. However, you are still using your right hand to wrap/pick the yarn, which may trouble some left-handed people.  All I can say is choose your negative).

So You Want to Learn It?

KnittingHelp suggests to hold a mirror up to their video to learn how to do it backwards (see last section), though I'm including this to more laugh at it (Really? How are you going to hold up a mirror and knit with the video?).

This video on YouTube shows how to do this English style.

This video, on the other hand, shows it in Continental style.

Conclusion
The styles above are all the ones I know about as of now.  I'll add to this post if I find other styles in my knitting travels.  And yes, I know I'm missing Eastern knitting styles...but as I'm in the western world,  I still need to learn about those myself.

Blame Sandy

Another quick post saying that due to external influences I won't be posting until things get back to normal. Just as I was getting my posting rate up too, oye. 

If you are the maybe two people who actually read this blog, you'll know I'm in the NYC area.  If you're in North America and haven't been living off the grid in the middle of nowhere, you've heard about Hurricane Sandy and what happened with that thing. Having said that, I'm fine.  Actually, I got very lucky.  It didn't even knock out the power in my immediate vicinity.  It was freaky, however, hearing the winds whip around that night.  I went out to get stuff a couple of days later and passed by a tree that had crushed someone's car and landed on cable lines.  I just spent three days navigating Manhattan with a flashlight to get to work. But I'm fine. A lot of people here aren't, which sucks.

The aftermath of this is sucking up my time (I can't complain; I'm helping get things back to normal, but it is tiring), so no posting.  Sorry.  Will be back soon, hopefully.

This Hank is Too Big

This hank:

is too big for my swift.  Of course it is.  Standards?  What standards?  The yarn world has standards?

That was before I tried to wind it anyway.  Now that hank is this:

That yarn barf is courtesy of attempting to wind the hank with it hanging off a door knob.  Don't do this.  It doesn't work.  Now, my first solution was to use the middle peg of the swift to also hold the hank.  This ended up kind of working, very very slowly.  Because the hank is bent weird by the middle peg, every time you hit that part of the hank you have to stop and lift the strand off of the peg.  So I got impatient and tried the door knob.

Maybe I could console myself with the fact that if the yarn hank had been the right size, I could have ended up with this:

Why do I have such bad luck winding yarn?  I've done it successfully, I swear.

The (Late) Rhinebeck Debrief

I know it's already been a week since the NYS Sheep and Wool Festival.  I also know that I got home Tuesday morning instead of Monday afternoon, had to do all my chores for that weekend on Tuesday (including laundry), and felt crappy with allergies all week because that's just my luck.  I also had my usually weekly stuff and then I went and saw Epica play yesterday (which was awesome, but meant I didn't get home till 3 in the morning).

Anyway, I had a blast at Rhinebeck. I'll start from the beginning.

The Class
After crashing at one of my sister's apartments and going to a brewpub with a really good pumpkin beer on Friday, I drove up to Rhinebeck early Saturday morning so I could be at the fairgrounds in time for my class.  I, of course, misjudged traffic so my first plan of grabbing breakfast and dropping my stuff off at my other sister's apartment failed. I was lucky one of the food vendors was serving food before the fair technically opened and that the workshop area had free coffee. Of course I found this out during the class, so I spent the first part of the class in a pre-coffee daze.  It could have been worse.

I signed up for the Introduction to Sweater Design workshop by Donna Kay.  Before I took the class, I didn't know the instructor or what exactly we would cover.  The class ended up being more of a lecture, but it was funny and enjoyable.  We covered tips and things to keep in mind when designing...how to swatch to figure out if the yarn you have works with your idea, how to use different types of graph paper to make sure your calculations work and everything's proportional (this would have helped tremendously for the baby sweater.  Also, I never knew knitter's graph paper existed), touched upon originality and copyright in patterns, and other many random tips to keep in mind (like don't shove every idea you have into one sweater.   I kind of knew this, but I'm also guilty of doing it). Many of the things mentioned were also conveniently given on a handout, so I didn't have to remember everything (yay reference materials).   What we didn't get to was actually doing anything with the yarn and other materials we brought.  It was obviously meant to be a longer course, yet we only had four hours and the written material covered the whole time frame.

Overall, I think I was expecting more, but I'm not disappointed that I took this class. It was enjoyable, and it did give you a method of getting from idea to complete design, which was something I needed to hear, as I'm lacking a good method right now.

The Fair
Last year, I went on Sunday only.  Because of this, it was shocking to see how crowded this event got on Saturday.  When scoping out vendors the rest of the first day (first with some friends and later with my mother), it was hard to even stop and look at stuff.  I wasn't as shocked at the crowds as my mother, though, who had 1) never been and 2) was under the impression that the Sheep and Wool Festival was simply a local fair.  I informed her that it was a big event in the yarn crafting world and people come from all over...hell, that's how I learned about it.  My local sister simply said (after the fact):  'Duchess County doesn't do small events'.

*Side Note*
The New York State Sheep and Wool Festival and Breed Ewe Sale is the official name of this event:

Sorry for the slightly blurry picture; I took this through my windshield when stuck in traffic

I think most yarn crafter attendees know this, but for some reason in our world it's called Rhinebeck.  This works fine if the context it's used in is 'major yarn crafter events'.  Calling the event Rhinebeck to the locals, however,  gets you inquisitive or odd looks, as Rhinebeck is the town where the fairgrounds are located, and the town is a tourist trap in its own right (a nice one, but it is).  Also, the fairgrounds are known locally better as the site of the Duchess County Fair, which is (I think) the biggest county fair in New York.  Therefore, calling it Rhinebeck really doesn't make sense at all (though since it's in use and it's shorter by far than the proper name, I'll still use it.  In the right context of course).  Do I get my local cred back now?
*End Side Note*

I spent most of Saturday scoping out some vendors and got some yarn.  I also helped my mom pick out nice alpaca yarn to crochet a shawl.  We also checked out the sheep, for which I got lots of pictures of because I remembered to bring my camera:

After having dinner with the family and crashing at the local sister's apartment (who lives ten minutes away; I'm so lucky), I went back to the fair on Sunday with both my sisters.  We found the alpacas and llamas (which my mom and I missed), though my camera decided to die on me as soon as I tried taking pictures of them (and I had just replaced the batteries!  Stupid me must have used bad batteries).  I bought more yarn than I've ever bought at one time because it was my birthday, I had extra money, I have tons of projects I want to do, and 'oo, pretty sock yarn...I like knitting socks!'.  I'll put that in it's own section though.

Also, I'm pretty sure I passed the Yarn Harlot in one of the vendor buildings, though she was going the opposite way and it was a little too crowded to do a good double take (or do that sneaky picture thing with my cell phone...I forget what it's called...Kinnering, maybe?).  That, and my sisters, not being in the yarn crafting world as I am, hadn't noticed and kept going, and I was trying to not lose them.  I tried slowing them down by telling them 'hey, I think we just passed someone famous in the knitting world', but they didn't care.  They were already putting up with my lingering at vendors to buy all the yarn, so I dropped it.

I also showed off my socks (which I wore on Sunday) to the vendor who's yarn I knit them from.  She liked them.

The Yarn
I'm surprised I fit all of this into my suitcase and a shopping bag:

The unfortunate consequence of this is I now have more stash than the Tupperware container can hold, even after taking out all the yarn associated with projects I'm working on.  I had to go buy another small container to shove under my futon to hold the rest of it, and a storage ottoman to hold my tools.

For one, I found a vendor selling that same damn wool I had the equal number of similar colors issue with...and it was half off.  Me, not wanting to deal with the whole two equal colors thing, bought four more skeins of black

I would have bought the charcoal color, but they didn't have it (because no one does, it seems).  Now, I'm not sure if I'm going to go with my original plan of knitting the basic sweater I have a pattern for, or still make up my own pattern.  I'll see.

I also bought enough yarn for two sweaters:

The gray skeins (its a cool smoky gray...picture doesn't do the color justice) are the first thing I acquired after the black wool. They will be a work cardigan (and unless I completely misjudged the yarn, they will be this cardigan).  The blue...well, I was looking for DK weight yarn but found this worsted weight in the perfect shade of blue, while their DK weight was slightly lighter.  So I said 'screw it, I have worsted weight sweater patterns', and bought it.  That blue wool is one of the softest I've ever felt (the woman standing behind me in line thought so too, and asked me if I was just going to curl up with it because she was tempted to do that).  It will be a nice sweater, though I have yet to decide exactly what pattern.

I also bought tons of sock yarn, because all I needed was more sock yarn:

I tried to not buy it all in blue and blue-black shades.  There's one thing I do (and it's at its worst at Rhinebeck) is that the yarn I'll be drawn to at first will inevitably be royal blue or blue dark variegated yarn  (It's worse if its cashmere.  I don't know how I know it's cashmere until I read the label, but I will inevitably find the cashmere yarn first.  Then I find the price and run away).  So I bought gray and dark purple as well.

The light blue one is alpaca and silk sock yarn, and you can guess by the last paragraph that it's not for me.  I'm not giving up on the hat pattern, but I decided that it'd be better if I set my sights a little lower and make my mom socks for Hanukkah instead.  The funny thing about this is that when I showed her all the sock yarn, she first went to the gray ones (which are rather soft wool; they're my favorite by feel) and cooed over that one.  The surprising thing to me is that she did it because she liked the color.  But it was all good when I pointed out that the light blue was alpaca.  She conceded that she would love alpaca socks, though she would only wear them in the house (we'll see how long that lasts.  She wears the $130 sweater I made her to shovel snow.  I bet you she'll wear them to shovel snow in as well). I'll have to remember to buy that gray sock yarn for her next year for real socks, though.

On the other hand, one of my sisters convince my other sister and me to try drop spindling:

That started when we found cheap small balls of angora roving.  The 'other sister' is a bunny lover, so we were scoping out angora vendors to see angora rabbits.  One of these vendors didn't have rabbits, but they had royal blue angora roving for $6.00.  What did I say about me and the jewel tone blues?  Once I pointed it out as 'pretty, but I can't spin so screw it' the conversation went from bunnies to 'you should try to drop spindle, I can teach you!  It's easy!'

Yeah, two things about that.  One, it's not that easy.  Two, my sister was talking herself up, and when she said she could drop spindle, it meant she owned one and had spun some 'yarn'. I tried after we left the fair with a little bit of the roving and I got nothing but messed up roving. Oye. I'm still going to try to learn, but I need to set some time aside and research it.  I know it can be done; someone in my knitting group had caved to the drop spindles everywhere at Rhinebeck herself, and had already learned enough in the three days between these two events to make nicer thread than my sister had.

Conclusion
All in all, it was fun, and I would do it all again. Hopefully I'll have most of this yarn compiled into projects by then!

It's a good excuse to see the beauty of a Hudson Valley fall anyway.  It's amazing how much you miss in the city.

This is in Ulster County, not Duchess, but the same lovely tree colors

Procrastinating and Creating

For once, I should be doing other things such as packing and maybe trying to get some rows of Crazy Cable Blanket done, but instead I'm writing a blog post and making little pumpkin breads:

(I actually don't care for cooking, but I like fresh food and saving money)

But anyway, this weekend my ass is going to be upstate, a trip for which I even took a few days off from work for (yay limited vacation time). I've stopped packing because I'm trying to convince myself that, no, I don't need to bring my whole knitting needle set because I have enough projects going that I don't need to start anything from the yarn I plan to buy at Rhinebeck before I get back home.  I'm also trying to pack for four days in a small suitcase while leaving enough room for more stuff.  Over packing (which I always do, unfortunately) is one thing.  Trying to lug an over packed suitcase on the subway and a bus is a completely different story.  My trip involves at least six staircases, crowded subways, a long distance style bus, and a long hill, and yes, you count when you're lugging bags.

I probably don't need all my projects with me either, but they're going.  Crazy Cable Blanket (of which I have 30 rows left) is going.  The spatterdashers (halfway through the second one!) are going.  Those  Log Cabin squares I make when I can't do anything else are going.  That blue crochet thing from the last post is going:

That will be my fourth posted pattern, and I swear it, because I have the pattern written down already and I'm following it.  It's a long time coming; I haven't tried making my own pattern since the baby sweater, and haven't posted one since the baby hat I did.  I'd admit, for awhile I just wasn't feeling it.  I didn't want to deal with the creative process, and I had enough projects going I didn't need to.  After really gearing up at the beginning of the year I fell flat.  I think I was hoping to get going with the design thing, but got overwhelmed with life, then said screw it and forgot about it for awhile.

Reciently, though, something clicked. It started when I went on a yarn crawl and ended up with this yarn:

I bought the blue-green yarn with the idea of making my mom's Hanukkah present out of it.  It's alpaca, of course, and the plan was another hat.  But I wasn't sure if I would find a good pattern for it.  Then an idea hit me. I knew exactly what that hat's going to look like, and I sat down and charted out the cable I wanted and drew sketches:

Now, I haven't tested the design yet in yarn, nor written the pattern (I need to figure out how I'm doing the top still, and if I want to do a contrasting brim), but I figured after I get done with the Halloween stuff I'd get down to that.  I may need extensive modification, who knows.

Then I realized that the other yarn, which I bought thinking I had three skeins of it in my stash already, was the wrong color.

Oops.  I called the yarn store I bought the three black skeins from and asked if they had any of the charcoal color I actually have in my stash. No such luck; they didn't have it.  Now I'm stuck with three skeins of charcoal and three skeins of black yarn, which killed my first idea of what I was going to do with that yarn.

Then I realized I needed yarn for that class I'm taking at Rhinebeck.  Ok then, I'll try to come up with my first sweater pattern using that yarn.  Which may or may not happen, but that yarn's what I'm bringing to class.

I did sketch out some ideas of sweaters, though.  I'm not sure how far along this class wants you, but they mentioned bringing fashion pictures.  I don't really have any inspirational pictures right now, so I just sketched, and I'm hoping to wear the jacket I want to mimic in a cardigan pattern at some point (since, you know, it's already got a hole in it).

Finally, after setting out all these knitting projects, and knitting stuff like worsted weight yarn on size 0 needles, I decided I really needed a easy, bulky, crochet project. I also decided I needed a wrap because it was cold outside and the heat wasn't on yet in my apartment (because I was totally going to get it done before the landlord got around to turning the heat on.  Didn't happen; the heat kicked in a week ago).

Luckily I have tons of Loops & Threads Charisma in my stash that really needs to stop living there.  Out comes the big crochet hook, and I started crocheting a wrap.  Then I frogged it.  Then I crocheted a square.  Then I frogged it.  Then I searched Ravelry in vein and got sick of all the repetitive crochet blanket patterns. Then I found this stitch in a crochet stitch dictionary and thought, hm, that looks interesting.  So I charted out a repeat from memory (which meant it's different than the actual stitch dictionary version), figured out the arrangement I wanted, actually figured out my gauge for it, calculated the number of chains to do to start, and went at it.  I'm actually shocked it's coming out as nicely as it is in this yarn.  I was thinking that my pattern idea may be more suited for a worsted weight, or maybe even a sport weight, but I was doing bulky first because stash.  You'll see.  When I'm done with the bulky version, I'll post the pattern.  Then maybe I'll figure out a worsted weight one (though I would have to buy yarn for that one, oye).

But I really need to pack now.  It's amazing what you do when you have something else that needs to get done.