I Think the Magical Yarn Babies Have Taken Residence in My Stash, However (The VogueKnitting Live 2016 Debrief)

Another year, another VogueKnitting Live debrief. Luckily, nothing else was going on this year behind the scenes.  That also means I have no excuse for purchasing a package and spending over $100 dollars to go and spend more money. Oh well. 

In General
This year was a lot saner than last year.  Well, not in the amount of yarn I bought, but in what they were offering.  I don't know if it's because I spend all of Sunday attending class and lecture and was distracted but both all the pretties and other people on Saturday and therefore missed the crazier stuff (well, OK, crazier than this thing:

), but it still seemed like what they were offering was rather tame. 

The Class and Lecture
So, because it turns out that with VogueKnitting's price increases this year, it only cost me around $10 more to buy a class/lecture/marketplace package than buying the marketplace and class al la carte, I did so. It doesn't help that the package is called the Times Square Day Tripper Package. Because that's exactly what you want to be doing as a native New Yorker, going to Times Square.  On a weekend.  Where all the tourists and wonky, shady characters are.  I might still be a bit sour that VogueKnitting moved to a hotel smack in the middle of Times Square, meaning I have to go through there on a weekend, but anyway...

The Lecture
I signed up for the lecture called Knit to Flatter by Amy Herzog.  Now, lectures always feel a little stunted to me, but that's simply because they're only a hour long, and most of the people giving them are used to classes.  This has nothing to do with this lecture in particular, by the way, it's just something I've noticed from the past two lectures after taking a lecture and a class back to back for the first time.

However, this lecture was semi-interactive and funny, and made some good points.  It turns out what she was discussing (how to make a sweater that you would wear 'out to lunch with a non-knitter') is something I've already done, however, her point about fabric behavior being crucial was something I don't think I fully appreciated before.  Also, the statement that (and I'm sure I'm paraphrasing a bit here) 'the yarn's not growing [when you block it]. It's not making magical yarn babies' will forever be in my vocabulary (it was also used in the context of pilling, as in 'when the sweater pills, it's not making magical yarn babies, that's material from your sweater'.  I knew that, but that way of putting it is still funny).

The Class
First off, all the really interesting classes this year seemed to be scheduled for Friday, which kind of sucks.  Even if I could have taken off of work (I couldn't have this year anyway because I was too busy in company-approved training on how to build iPhone apps), I wouldn't have.  However, I did find a Sunday class similar to one I spotted on a Friday date at first, and that was Seams Like Surgery by John Brinegar.

The good news is that the class was good.  It was well-taught and led, we laughed at jokes and, for me, I learned some decorative seams as well as how to better due mattress stitch.  It turns out I've been doing it pretty well, but his way of thinking about the instructions really helps with porting the technique away from stockinette.  I was immediately able to seam a garter stitch item much better afterward despite that not technically being taught.  While I will say I probably could have learned most of the material off of the Internet, I still don't regret taking the class.

Fashion Shows and the Panels
Honestly, I didn't catch too many fashion shows this year, and absolutely none of the panels.  Actually, I don't think they had any traditional panels this year.  The had events like participating in extreme knitting! (no thanks; I like my needles smaller than I am) and...I don't remember.  Anyway, I did catch part of one, and two other fashion shows and they were pretty meh.  Nothing too crazy.  Nothing standard or overly practical either (after all, this is a fashion show and when is fashion not overly artistic over practical), but nothing that made me go WTF?!?

If anyone from VogueKnitting is reading this, let it be known: I like the WTF?!? stuff; the best part of what makes VogueKnitting VogueKnitting was making fun of some of the stuff considered fashion.

Anyway, there was a couple of questionable items, including a really bulky garter stitch cardigan (what is it with rug-looking cartigans?):

And a very bulky, very glowing, hot pink shawl-scarf:

Otherwise it was your standard sparkly shawls and batwing sweaters that make the model look like they have short stubby arms, and as normal items that you're going to get that meet current trends. Oh well.

Purchases
Beyond my quickly-becoming-normal behavior of 'buy all the yarn for all projects I want to do now and then some!, in the early hours of being there Saturday this is the exchange I had with my mom over text:

Me: LOL I found self-striping yarn that looks like watermelon
Mom: Interesting.  Are you at Vogue?
Me: Yes.
Me: Want something?
Mom: Yarn for the baby blanket pattern you sent
At this point, I'm thinking 'this is the wrong place to look for yarn for a baby blanket', but this is my mom, so...
Me: Ok, will look.

So I got stuck running around the marketplace, desperately trying to find a DK like yarn that had enough quantities to make a baby blanket.  Now, there's two things about VogueKnitting that I don't know if my mom gets: 1) it's mostly mid to upper range yarn that is the type to not have dye lots and be hand-painted (oh, and good luck finding one that can be washed) and 2) there's usually limited quantities at shows.

At one point, I asked my mom what her budget for this was, because I was finding really nice superwash yarn where the vendor had multiple skeins, but it was all at least $25 dollars a pop. Her answer was '$100 or so', so that cut those out. I ended up having to get three different colors of Malabrigo Rios at the Knitty City booth of all places (I try not to spend all my money at the local yarn shop booths; I can go to them here if I want and there's other vendors you can't get anywhere else attending, but sometimes they have the right stuff when you want it), because there wasn't enough of any of the colors I liked. 

I ended up sending her another pattern to consider that used three colors as well. I also ended up buying her a present:

Because the joke is funny alone, it's even funnier when carried by a crocheting dietitian.

Oh, and despite this being the wrong place to buy yarn for a baby blanket, I also bought yarn for a baby blanket.  Mine costs a bit more than $100 dollars, but it was perfect and superwash, and came in bigger skeins so I didn't need as many of them and my yarn budget gives up.

Conclusion
All in all, I had fun.  Sure, the fashion shows are getting boring and their free non-marketplace offerings were slim this year, but the class and lecture made up for that (despite having to pay extra for those). I really need to stop buying all the yarn, though, despite the fact that I did need a bit of it this year as I didn't have anything suitable in my stash.  And I am using it now, so this isn't a 'shove in there and leave it for two years' situation.  Well, maybe the yarn I bought for myself with no pattern in mind will be that, but half of it won't.

We'll see what next year brings.

It's Another Vogue Knitting Live Debrief

 

By now I think you know I always go to Vogue Knitting Live NYC.  This year was no exception.  However, unlike at Rhinebeck I had a slightly different experience this year, so here's the debrief

You can't see it very well but there are tacks on Australia, Africa, and South America.  Someone in my class was from Vienna.  It's amazing how far people will travel to these things.

In General
The one thing that was consistent from last year was the overall feel of the event.  It was the same big, diverse, more fashion oriented but otherwise Rhinebeck-esq event it was last year.  I have no problem with this, so this was fine.  However, there were a couple of minor changes that I didn't like that made my experience a little less enjoyable than last year.  Next year I really  need to get the guide on Friday like someone in my knitting group did.  If I had I would have showed up earlier on Saturday.  I'll get to these in the relevant sections.

Like last year, I met up with my knitting group on Saturday and then went back on Sunday on my own.  Unlike last year I took a class instead of a lecture and didn't get to see as much of the free stuff.

The Lecture Class
At one point late last year a coupon came out for half-off Sunday classes at this event (the benefit of attending more than one year in a row is I get all the emails about the events).  Since that subsequently made attending a Sunday class close to the same price as the lecture package, I decided to go for it.  Sunday's my better day to do stuff like this anyway.  So I signed up for Designing with Cables taught by Carla Scott.

How can I say this nicely...the class sucked.  Ok, that wasn't nice.  But while the instructor was very friendly and seemed knowledgeable, she got distracted easily and let random questions completely derail the class.  Subsequently, very little got taught.  We covered gauge a bit and started talking about schematics, and then the class got so derailed nothing else on actually designing with cables were ever covered.  Even the random chatter faded out to the instructor chatting with a few of the students, and most of the class left thirty minutes early, including me.

This is not the way to run a class.  I get that instructor wanted the students to feel free to ask questions and she wanted to cover topics some of the students wanted to hear about, even if they didn't have much to do with the course.  But you can't let that prevent covering what the class was supposed to cover.  Actually, I'm not so sure where the class was going.  All I know is the few things that were actually officially taught I knew, and we never got to anything beyond that.  Conversations about, say, copyright and where we live and what x designer did are all great, except when that's all that happens.  I paid $42 dollars to learn nothing (well, ok, that was with the entry fee).  I could have paid $85, so I'm glad at least I didn't do that.

If I didn't know better, this would turn me off from taking another class here.  Luckily, I know enough people who have taken classes at this event and loved them, so it just means I'm going to be a lot more picky if I end up taking a class next year.

Fashion Shows and the Panels
Here's the other thing that sucked this year.  There were no fashion shows on Sunday.  You see, on Saturday I'm busy hanging out with my knitting group, and so I don't get to see any of the shows and panels.  I come back on Sunday mainly to do that.  Except most of everything was on Saturday this year, and that was different than last year so I wasn't planning on it.

This is what I meant about picking up the guide early (or even better if they could mail that schedule with the IDs to us who pre-order, that would be awesome, but I know that's a bit much to ask for).  If I had known that all the fashion shows would be on Saturday, I may have come in early to see a couple of them.  But since I didn't know this until after I had come in to meet my knitting group, I was out of luck. 

So I saw no fashion shows.

What I did do on Sunday after my class, well other than cruse the Marketplace again, was see a panel and a free lecture (again, a lot of them were Saturday, but at least there were Sunday ones).  The panel was one of those general interest, hear people in the industry talk about their experiences, ones, but I like those.  This one was the one titled 'Men at Work', and featured all male yarn industry professionals (well, except one of them was a former Project Runway contestant instead of in the knitting/yarn industry...an odd choice, but that shows popular or something so I get the rational behind it).  It was good in the same way most of these types of panels are: voyeuristic and funny.

The free lecture I went to was on the Trends in Knitting, and while the lecture was fine, all the trends were more about what was trending in fashion and they all were ugly as sin.  However, I already knew that big, bulky sweaters and clothing that looks like it's falling apart was coming back (and skinny pants are still here.  I'm still waiting for that trend to go away so I can finally buy pants that don't make me look like crap).  One thing the city is good for is seeing the new fashion trends before many others notice because people start wearing them here sooner. But I was expecting something more geared to the knitting world in general, but it was fun in the way that the fashion shows are fun: you point and laugh at the stupidity of it.

Also, I had a short but interesting conversation with a older woman that got the lecturer to admit that most of this was looking at the teen and young adult trends.  I pointed out to her that just because one was in that age group didn't mean they liked such things, and vice versa (you know...being that I'm in that age group and tend to hate most of the trends).  We got into a conversation about how if we were going to spend all that time knitting something it better look good a year from now, and that if one looked at pattern trends on sites such as Ravelry instead of liked pictures on sites such as Pinterest, such high-fashion trends didn't show up and it was more classic, timeless stuff.

Purchases
I was bad this year and bought five skeins of yarn:

Ok, three are the same yarn.  I've been thinking about getting this colorway (Stargazing) of Madelinetosh for awhile now to do a sweater, and getting it here was an excuse to buy yarn from my old LYS (who was back again and still remembered me).

The other two are impulse buys.  The gray skein is Squishy Lace from Dragonfly Fibers.  It is very soft and squishy and Dragonfly Fibers had a lot of yarn I loved but I picked this one for some unknown reason.  I have never used Laceweight before, and I'm not really a shawl person.  Oh well, first time for everything.

The other one is sock yarn from Neighborhood Fibers, and I got it because it's such an interesting color.  Since I don't tend to get much outside of the blue/black/gray that I love, I got it.  I was looking for a color to go with some black sock yarn to maybe try some more colorwork, and this should work.  We'll see.

I also bought another Sock Rocket, so now I'm only missing one in the standard sock sizes.

Oh, and the third thing that sucked is that Soak wasn't there!  I'm all but out of the Soak I bought last year, and how perfect it was that it ran out right when VKL was going on again so I could by more and...they didn't have it.  Probably because Eucalan was one of the sponsors of the event.  I looked at the Eucalan and wasn't thrilled with the flower scent it came in (of course this is a personal preference; I'm sure some people love it and I can't speak to how it works).  I like some of Soak's scents better (I really love their Aquae scent, and Unleashed is nice as well), so now I have to go order it online today because I am officially out of it.

Conclusion
Overall, I did enjoy my time at Vogue Knitting Live.  One positive thing was the yarn selection this year was great...I was so tempted to buy more yarn than I did.  I'm just a little disappointed that it was worse than last year in the other aspects of the event...you know, the ones that make it VKL 

Well...to be fair, there was a lot of random items like this:

They were amusing and very VKL.  But other than that, I mean.

Well, there's always next year.

Things That Are Gray and Things That Are White

Oh, look, I've finally got something done:

This should have not taken me a month to do, but it did.  Mainly because I was too busy working on the work sweater at the same time.  However, it didn't help that I frogged parts of this hat multiple times either.

It came out a little big, I have to say that.  Having worn it a couple of times already, I wish that I had made the band a little tighter (though that would have screwed me up on picking up the right stitch count even more, so maybe that isn't the best idea).  It stays on, but if I dart around it sometimes slips foward, and otherwise doesn't always stay where I put it.  Nothing that can't be fixed with a snap clip or two, though.

I love the way it looks, which is always a bonus.  However, I had to switch back to my heavy duty hats today due to the lovely nor'easter that's coming through my area as I type:

That's what it looks like outside my window a couple of hours ago from this post.  Well, if you subtract the fact that my camera turned the scene yellow tinted....

Supposedly its name is Nemo, which I can't hear without getting this song stuck in my head, so I'm going to ignore the Weather Channel's attempt at giving cute names to nor'easters and just call it a snow storm.  Despite everyone freaking about about it here in NYC, it's not supposed to be as bad here.  But that's NYC mentality for you...it's going to be an event enough to cause minor disruption?  Everybody panic!  Meanwhile, back in 2010:

Three feet of snow, whoo hoo.

So forgive me if I'm not currently impressed at the moment (however, those of you northeast of us that are dealing with the snow amounts in the second pic...I feel for you).  The snow falling this morning was pretty, though.  It was the right weather to have light big snowflakes and not be crazy cold outside.  I actually didn't mind walking in it this morning.  Then again, I like snow and don't mind colder weather.  I just don't like crappy slush and shoveling things and the type of cold that is bitter and biting.

Another positive thing about it was that I got to do this:

Finished the last sleeve on the subway today, and managed to get to the post office before it closed to pick up the package that contained those nice new blocking pads (one bad thing about apartment living in the city; getting packages delivered is a pain in the ass.  Especially when they decide not to bother ringing your doorbell before leaving the slip that says 'we missed you, now you have to go to the post office that's only open during your working hours most of the time!' Ug).

In other news, yes, I finally broke down and bought blocking pads.  T-pins don't really hold when your using towels on a hardwood floor, and while I can work around it for small things, this needed to be pinned out sturdily. 

I'm not done, though.  I still have to sew it up and do the back of the neck (it's a bit of an odd construction).  Hopefully I can get it done within the week, though.  Then I'll have both my over-a-month long projects done.

Then I'll start something else...woops:

I kind of already did.

P.S.: For anyone dealing with the snow, stay safe and warm, and don't try to curse it too much.

P.P.S.: Oh, and we're in a severe French Toast Alert, ya'll (the site is Mass. based, I believe, so it's even more applicable). Have fun!

Vogue Knitting Live Debrief (2013 Edition)

I should've done this Monday, but I was too busy catching up on my sweater and having a battle of wills with a mouse that made its way into my apartment (which, unfortunately, is still going on.  Good news is that I didn't see any evidence from it this morning.  Bad news is that I still haven't caught it, and it escaped one trap and hasn't touched the others I set after that). 

Anyway....onto the Vogue Knitting Live debrief.

In General
I went in expecting more of last year.  It was not.  The whole...feel, I guess is a good word...was different than last year.  Last year was smaller, more fashion forward and had a summery feel to it.  This year was a lot more crowded (on Saturday at least), and the vendors and feel was way more diverse.  In some ways it was like a little Rhinebeck (with many of the same vendors), except with a slight more emphasis on fashion (instead of the more rustic feel of the NYS Sheep and Wool festival, which is to be expected).

I went both days, because like last time I signed up for a lecture on Saturday (and then met my knitting group to trawl around the marketplace), and then I went back to see the shows and the free panels on Sunday (and to trawl around the marketplace alone).  The one constant thing was that the lecture was fun, the panels were interesting (and I got a lot of knitting done), and the fashion shows were mostly horrifying.

The Lecture
I ended up signing up for Manipulating Stitch Patterns conducted by Ysolda Teague.  Unlike the last two times, I've heard of her before (actually, it was her page I found instructions to do those looped button holes for one of my last patterns, which saved my can't-be-bothered-to-plan-for-a-buttonband ass), but that's not why I picked this lecture.  I picked it because for the past four months or so I've been wondering if I shouldn't invest in a stitch dictionary, and if I do, what I will use it for.  You see, I'm pretty picky about my knitting.  There are few patterns I've seen that aren't cables or stockinette that I've liked.  But I keep telling myself I won't do cables in my next project (ha) and I should branch out a little more...or, if I don't find what I like, create it.  It's all easier said than done of course.  So I figured that this lecture should be interesting and help a bit.

While it started late (but it ended on time and provided some laughs, so I don't care), I was happy with it.  While a lot of the tips given seemed somewhat common sense (like calculating a new stitch count when adding or subtracting an element), there were still good tips for me to hear.  One of my major takeaways was an throwaway point, which is that the chart should represent what the pattern will look like.  Her example was a cable chart in that style I'm not too fond of, the one where the cross is a bunch of diagonal lines visually 'representing' the cable.

Now,  I don't like this style because it gets messy with more complicated cables.  I had to read one that had traveling cables, and I found it hard to differentiate between the K2, K2 cables and the K2, P1 cables (putting a tiny dot near the bottom left does not make a clear symbol).  Also, as many of them aren't standardized (despite what the link above tries; you'll notice that they have no traveling cables in there), they vary by just enough that it's confusing.  I can't imagine what a K4 with a P stitch in the middle cable would look like in that notation.  But Ysolda's comment of 'the chart should look like the pattern' made me realize why people like that style: taken together, the chart really does show the cable flow.  It looks like the cable, because many of the symbols look like the shape the knitting makes (of course, there are other similar styles.  Standardization doesn't exist here).

She also mentioned, in relation to that point, that the chart shouldn't be a code.  I think that's my biggest pitfall here.  I'm a programmer.  I see charts as codes, I'm conformable with charts as codes, and judge their merits as such.  I like clear, flexible codes over pictorial representation that just complicates matters.  This is why my currently preferred notation is one I learned in Aran Knitting, which looks similar to the chart in this link.

It doesn't really show the pattern when you see it as one object.  But it does give flexibility to represent all types of cables (as any cable uses a variation of the same symbols), and is much easier to write out when I'm pattern drafting (and on the computer without buying special software like she was using in the lecture).  But you do have to learn it and understand it to see the brilliance of it, which doesn't come easy to many knitters.

I also find it funny that crochet is more standerized than knitting in this respect.  But that's another topic for another day.

The other major takeaway I got was that you can fake cables with increases and decreases, and you can use ribbing to do reversible cables.  I had no clue.  That's great to know.

Fashion Shows and the Panels
I only ended up catching two full fashion shows (and bits and pieces of others), but what I saw was pretty much similar to last year.  Weird outfits, modular knitting, garments that don't flatter anything but the coat-hanger models walking down the runway (and then there was this thing.  No excuse for that monstrosity of a cardigan).  Oye.  No novelty yarns this year, though.  And there were a couple more outfits I wasn't revolted by.  Improvement, improvement.

There was two free panels, and I went to both.  One was on being a designer, which while being funny, made me really want to stay an amateur designer.  The other was on the change in knitting culture and where it was going, which was pretty predictable, but wasn't too boring.  Though one panelist had to repeat the whole 'crochet uses more yarn' myth. Ug.

Purchases
I was good, and only got one skein of yarn:

I bought it because not only was a  'oo, pretty blue!' one of a kind Madelintosh skein, it's from my old LYS (who were there, much to my surprise.  The other surprise was that they remembered me after a year of not going (while I had only been their customer for a little over a year)).

I also got another bottle of Soak to replace the one I left in my old apartment (that I bought last VKLive).  While Woolite might be cheaper, you don't have to rinse with Soak.  And it smells a lot better.

Also, the second day I texted my mom this picture:

It was a joke about big crochet hooks.  The next text I get, however, was 'do they have x size?  I'll pay for it.'  Cue back and forth texts where I realized they were Tunisian crochet hooks and attracted the attention of one of the shop people, who taught me to Tunisian crochet (which isn't that hard, but I also knit and crochet, and it's obviously a weird blend of those things).  I then, while waiting for my mother's answer as to if she really wanted the Tunisian version, got hustled into buying the crochet hook. For $40.

I later found a vendor selling normal crochet hooks in the size my mother wanted for normal prices.  I ended up buying those as well.  We'll see if my mom buys the Tunisian thing off of me.  I may get stuck with it.

Conclusion
Overall, I had a good time.  It was different than I was expecting, both good and bad, but I enjoyed it.  Hopefully they'll have better trends next year (ha ha ha).

The (Late) Rhinebeck Debrief

I know it's already been a week since the NYS Sheep and Wool Festival.  I also know that I got home Tuesday morning instead of Monday afternoon, had to do all my chores for that weekend on Tuesday (including laundry), and felt crappy with allergies all week because that's just my luck.  I also had my usually weekly stuff and then I went and saw Epica play yesterday (which was awesome, but meant I didn't get home till 3 in the morning).

Anyway, I had a blast at Rhinebeck. I'll start from the beginning.

The Class
After crashing at one of my sister's apartments and going to a brewpub with a really good pumpkin beer on Friday, I drove up to Rhinebeck early Saturday morning so I could be at the fairgrounds in time for my class.  I, of course, misjudged traffic so my first plan of grabbing breakfast and dropping my stuff off at my other sister's apartment failed. I was lucky one of the food vendors was serving food before the fair technically opened and that the workshop area had free coffee. Of course I found this out during the class, so I spent the first part of the class in a pre-coffee daze.  It could have been worse.

I signed up for the Introduction to Sweater Design workshop by Donna Kay.  Before I took the class, I didn't know the instructor or what exactly we would cover.  The class ended up being more of a lecture, but it was funny and enjoyable.  We covered tips and things to keep in mind when designing...how to swatch to figure out if the yarn you have works with your idea, how to use different types of graph paper to make sure your calculations work and everything's proportional (this would have helped tremendously for the baby sweater.  Also, I never knew knitter's graph paper existed), touched upon originality and copyright in patterns, and other many random tips to keep in mind (like don't shove every idea you have into one sweater.   I kind of knew this, but I'm also guilty of doing it). Many of the things mentioned were also conveniently given on a handout, so I didn't have to remember everything (yay reference materials).   What we didn't get to was actually doing anything with the yarn and other materials we brought.  It was obviously meant to be a longer course, yet we only had four hours and the written material covered the whole time frame.

Overall, I think I was expecting more, but I'm not disappointed that I took this class. It was enjoyable, and it did give you a method of getting from idea to complete design, which was something I needed to hear, as I'm lacking a good method right now.

The Fair
Last year, I went on Sunday only.  Because of this, it was shocking to see how crowded this event got on Saturday.  When scoping out vendors the rest of the first day (first with some friends and later with my mother), it was hard to even stop and look at stuff.  I wasn't as shocked at the crowds as my mother, though, who had 1) never been and 2) was under the impression that the Sheep and Wool Festival was simply a local fair.  I informed her that it was a big event in the yarn crafting world and people come from all over...hell, that's how I learned about it.  My local sister simply said (after the fact):  'Duchess County doesn't do small events'.

*Side Note*
The New York State Sheep and Wool Festival and Breed Ewe Sale is the official name of this event:

Sorry for the slightly blurry picture; I took this through my windshield when stuck in traffic

I think most yarn crafter attendees know this, but for some reason in our world it's called Rhinebeck.  This works fine if the context it's used in is 'major yarn crafter events'.  Calling the event Rhinebeck to the locals, however,  gets you inquisitive or odd looks, as Rhinebeck is the town where the fairgrounds are located, and the town is a tourist trap in its own right (a nice one, but it is).  Also, the fairgrounds are known locally better as the site of the Duchess County Fair, which is (I think) the biggest county fair in New York.  Therefore, calling it Rhinebeck really doesn't make sense at all (though since it's in use and it's shorter by far than the proper name, I'll still use it.  In the right context of course).  Do I get my local cred back now?
*End Side Note*

I spent most of Saturday scoping out some vendors and got some yarn.  I also helped my mom pick out nice alpaca yarn to crochet a shawl.  We also checked out the sheep, for which I got lots of pictures of because I remembered to bring my camera:

After having dinner with the family and crashing at the local sister's apartment (who lives ten minutes away; I'm so lucky), I went back to the fair on Sunday with both my sisters.  We found the alpacas and llamas (which my mom and I missed), though my camera decided to die on me as soon as I tried taking pictures of them (and I had just replaced the batteries!  Stupid me must have used bad batteries).  I bought more yarn than I've ever bought at one time because it was my birthday, I had extra money, I have tons of projects I want to do, and 'oo, pretty sock yarn...I like knitting socks!'.  I'll put that in it's own section though.

Also, I'm pretty sure I passed the Yarn Harlot in one of the vendor buildings, though she was going the opposite way and it was a little too crowded to do a good double take (or do that sneaky picture thing with my cell phone...I forget what it's called...Kinnering, maybe?).  That, and my sisters, not being in the yarn crafting world as I am, hadn't noticed and kept going, and I was trying to not lose them.  I tried slowing them down by telling them 'hey, I think we just passed someone famous in the knitting world', but they didn't care.  They were already putting up with my lingering at vendors to buy all the yarn, so I dropped it.

I also showed off my socks (which I wore on Sunday) to the vendor who's yarn I knit them from.  She liked them.

The Yarn
I'm surprised I fit all of this into my suitcase and a shopping bag:

The unfortunate consequence of this is I now have more stash than the Tupperware container can hold, even after taking out all the yarn associated with projects I'm working on.  I had to go buy another small container to shove under my futon to hold the rest of it, and a storage ottoman to hold my tools.

For one, I found a vendor selling that same damn wool I had the equal number of similar colors issue with...and it was half off.  Me, not wanting to deal with the whole two equal colors thing, bought four more skeins of black

I would have bought the charcoal color, but they didn't have it (because no one does, it seems).  Now, I'm not sure if I'm going to go with my original plan of knitting the basic sweater I have a pattern for, or still make up my own pattern.  I'll see.

I also bought enough yarn for two sweaters:

The gray skeins (its a cool smoky gray...picture doesn't do the color justice) are the first thing I acquired after the black wool. They will be a work cardigan (and unless I completely misjudged the yarn, they will be this cardigan).  The blue...well, I was looking for DK weight yarn but found this worsted weight in the perfect shade of blue, while their DK weight was slightly lighter.  So I said 'screw it, I have worsted weight sweater patterns', and bought it.  That blue wool is one of the softest I've ever felt (the woman standing behind me in line thought so too, and asked me if I was just going to curl up with it because she was tempted to do that).  It will be a nice sweater, though I have yet to decide exactly what pattern.

I also bought tons of sock yarn, because all I needed was more sock yarn:

I tried to not buy it all in blue and blue-black shades.  There's one thing I do (and it's at its worst at Rhinebeck) is that the yarn I'll be drawn to at first will inevitably be royal blue or blue dark variegated yarn  (It's worse if its cashmere.  I don't know how I know it's cashmere until I read the label, but I will inevitably find the cashmere yarn first.  Then I find the price and run away).  So I bought gray and dark purple as well.

The light blue one is alpaca and silk sock yarn, and you can guess by the last paragraph that it's not for me.  I'm not giving up on the hat pattern, but I decided that it'd be better if I set my sights a little lower and make my mom socks for Hanukkah instead.  The funny thing about this is that when I showed her all the sock yarn, she first went to the gray ones (which are rather soft wool; they're my favorite by feel) and cooed over that one.  The surprising thing to me is that she did it because she liked the color.  But it was all good when I pointed out that the light blue was alpaca.  She conceded that she would love alpaca socks, though she would only wear them in the house (we'll see how long that lasts.  She wears the $130 sweater I made her to shovel snow.  I bet you she'll wear them to shovel snow in as well). I'll have to remember to buy that gray sock yarn for her next year for real socks, though.

On the other hand, one of my sisters convince my other sister and me to try drop spindling:

That started when we found cheap small balls of angora roving.  The 'other sister' is a bunny lover, so we were scoping out angora vendors to see angora rabbits.  One of these vendors didn't have rabbits, but they had royal blue angora roving for $6.00.  What did I say about me and the jewel tone blues?  Once I pointed it out as 'pretty, but I can't spin so screw it' the conversation went from bunnies to 'you should try to drop spindle, I can teach you!  It's easy!'

Yeah, two things about that.  One, it's not that easy.  Two, my sister was talking herself up, and when she said she could drop spindle, it meant she owned one and had spun some 'yarn'. I tried after we left the fair with a little bit of the roving and I got nothing but messed up roving. Oye. I'm still going to try to learn, but I need to set some time aside and research it.  I know it can be done; someone in my knitting group had caved to the drop spindles everywhere at Rhinebeck herself, and had already learned enough in the three days between these two events to make nicer thread than my sister had.

Conclusion
All in all, it was fun, and I would do it all again. Hopefully I'll have most of this yarn compiled into projects by then!

It's a good excuse to see the beauty of a Hudson Valley fall anyway.  It's amazing how much you miss in the city.

This is in Ulster County, not Duchess, but the same lovely tree colors